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Beyond Mimesis and Convention - Representation in Art and Science (Boston Studies in the Philosophy of Science, Vol 262)

Beyond Mimesis and Convention - Representation in Art and Science (Boston Studies in the Philosophy of Science, Vol 262)

von: Roman Frigg, Matthew Hunter

Springer Netherlands, 2010

ISBN: 9789048138517, 287 Seiten

Format: PDF, OL

Mac OSX,Windows PC Apple iPad, Android Tablet PC's Online-Lesen für: Linux,Mac OSX,Windows PC

Preis: 171,15 EUR

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Beyond Mimesis and Convention - Representation in Art and Science (Boston Studies in the Philosophy of Science, Vol 262)


 

Preface

6

Contents

7

Contributors

8

About the Authors

9

Introduction

12

From Science to Art

13

From Art to Science

18

Problems and Prospects

23

References

24

Telling Instances

28

Representation

29

Representation As

30

Exemplification

32

Fiction

34

Epistemic Access

36

Problems Evaded

39

Objectivity

40

References

43

Models: Parables v Fables

45

How Fables and Parables Help Us Understand the Use of Models: A Short Survey of This Paper

45

The Problem of Unrealistic Assumptions, Round 1: Valid Arguments but False Premises

48

The Plan

48

Solution, Round 1: Galilean Thought Experiments

49

The Problem of Unrealistic Assumptions, Round 2: Overconstraint

50

Fables and Models, Their Morals and Lessons

51

Solution, Round 3: From Falsehood to Truth via Abstraction

53

The Problem of Unrealistic Assumptions, Round 3: Not Fables but Parables

55

Conclusion

56

References

56

Truth and Representation in Science: Two Inspirations from Art

58

Varieties of Truth in Art and Science

58

Preliminaries on Approximate Truth

60

Truth in the Context of Abstraction and Idealization

63

Denotation in Art, Reference in Science

65

Representations and Practice as Products and Production

70

References

74

Learning Through Fictional Narratives in Art and Science

76

I

78

II

81

III

86

IV

89

References

93

Models as Make-Believe

95

Representation in Modeling

95

The Problem of Scientific Representation

95

Misrepresentation

98

Does the Problem Exist?

99

Stipulation and Salt Shakers

102

Models as Make-Believe

104

Walton's Theory: Props and Games

104

Make-Believe and Model-Representation

106

Make-Believe and Stipulation

109

Make-Believe, Misrepresentation and Realism

110

Models and Works of Fiction

111

Models Without Actual Objects

112

The Variety of Models Without Actual Objects

112

Existing Accounts of Scientific Representation and Models Without Actual Objects

116

Models as Make-Believe and Models Without Actual Objects

118

Conclusion

119

References

120

Fiction and Scientific Representation

121

Introduction

121

Model-Systems and Fiction

124

Strictures on Structures

127

Model-Systems and Imagination

135

The Anatomy of Scientific Modeling

145

A First Stab at T-Representation

149

Re-reading the Newtonian Model of the SunEarth System

156

Conclusion

159

References

160

Fictional Entities, Theoretical Models and Figurative Truth

163

Preamble

163

Apparent Reference to Fictional Characters

164

Genuine vs. Figurative Reference

173

Scientific Models as Fictions

181

Concluding Afterthought: Carnapian Associations

187

References

190

Visual Practices Across the University

193

1

194

2

204

3

207

The Plaque Assay

207

Transmission Electron Microscopy

208

Gene Mapping

209

Electrophoresis

209

Immunogold Electron Microscopy

212

Other Kinds of Pictures

213

Conclusions

213

*

214

References

215

Experiment, Theory, Representation: Robert Hookes Material Models

217

Gross Similitudes

223

In Some Things Analogous to the One, and Somewhat to the Other, Though not Exactly the Same with Either

232

It Behove Them, Who Professe the Knowledge of Nature or Reason, Rightly to Apprehend the Severall Waies Whereby They may be Expressed

237

References

240

Lost in Space: Consciousness and Experiment in the Work of Irwin and Turrell

244

Entering the Black Box: Irwin, Turrell and the Anechoic Chamber

248

White Cube and Black Box: Exposing the Explanatory Gap in Modernism and Behaviorism

256

Conclusion

264

References

265

Art and Neuroscience

268

References

284

Index

285

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