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Children's Understanding and Production of Pictures, Drawings, and Art

Constance Milbrath, Hanns M. Trautner (Eds.)

 

Verlag Hogrefe Publishing, 2008

ISBN 9781616763503 , 352 Seiten

Format PDF, OL

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About the Editors

7

Contributors

8

Table of Contents

10

Preface

12

Part I Introduction

14

1 Children’s Knowledge About Pictures, Drawing, and Art

16

Introduction

16

Cognition and drawing

17

Metacognition, theory of mind, and children’s understanding and production of pictures, drawing and art

21

The contents of this book

23

Part II General Foundations

32

2 The Origins and Development of Pictorial Symbol Functioning

34

Introduction

34

Outline of the model

35

Foundations for symbolic understanding

38

Achieving representational insight

39

Conceptualizing the symbolic function

40

Conclusions

41

3 Pictorial Competence Generated from Crosstalk Between Core Domains

46

Four ingredients of pictorial competence

47

Pictorial expertise considered as mastery over a domain of knowledge

50

What is the reason for engaging with the pictorial domain?

52

Where children’s minds come into the picture

56

Evidence on cross-domain components of young children’s grasp of depiction

59

Taking a perspective and drawing the threads together

61

4 Memory Components and Control Processes in Children’s Drawing

66

Domain-specific and general components of cognition

66

The emergence of drawing

71

Graphic schemes

80

How children's limited processing capacity affects drawing

84

The mystery of narrative drawing

87

Conclusion

94

Part III Understanding and Developing Pictorial Competence

100

5 Size and Contour as Crucial Parameters in Children Drawing Images

102

Conceptualizing empty space and apparent dissolving of the object

103

Drawing systems

107

Drawing contours

109

Drawing size

112

The power balance of objects and space

115

6 Children’s Choice of Color to Depict Metaphorical and Affective Information

120

Introduction

120

Children’s color use in relation to affect- eliciting topics

121

Future research questions

128

Conclusions

130

7 Children’s Drawing of Friendship and Family Relationships in Different Cultures

134

Introduction

134

The importance of interpersonal relationships

135

Why and how to assess the representation of interpersonal relationships

136

Theoretical perspectives on the drawings of relationships

137

What of a social relationship can we see in a drawing?

139

Drawing and children’s relationships across cultures

147

Conclusions

159

8 Developing Children’s Appreciation of Photographs as Informative and Aesthetic Artifacts

168

Photographs: What and why?

168

Seeing the photographic surface

171

Illustrative empirical work

176

Concluding comments

194

Part IV Developing a Theory of Pictures and Aesthetic Preferences

198

9 Children’s Understanding of Artist- Picture Relations: Implications for Their Theories of Pictures

200

Introduction

200

Infants: action-based knowledge of intentions

203

Toddlers: perceptually-based knowledge of symbol- referent links

206

School age children: conceptually-based understanding of the symbolic function

212

Conclusions

215

10 The Relationship Between Production and Comprehension of Representational Drawing

220

Introduction

220

Development of children’s production and comprehension of pictures

221

Children’s understanding of what develops and why in children’s drawings

237

Interpretations and future directions

241

Summary

245

11 Children’s Developing Understanding and Evaluation of Aesthetic Properties of Drawings and Art Work

250

Models of aesthetic development

251

Properties of drawings and paintings used for classification and evaluation

255

Concluding remarks

268

12 Developmental Preferences and Strategies for Visual Balance in Aesthetic Compositions

274

Visual balance and the development of perceptual capacities

275

Children’s aesthetic appreciation of pictures

278

Children’s ability to produce aesthetic pictures

280

The composition studies

286

Conclusions

300

13 Drawing and Aesthetic Judgments Across Cultures: Diverse Pathways to Graphic Development

306

Background

306

Models of graphic development

308

Previous studies that examine the U-curve claim

311

The three-country study (Kindler, Pariser, and van den Berg, 2000)

314

Conclusions

326

Part V Conclusion

332

14 Future Directions in Studying Children’s Understanding and Production of Pictures, Drawings, and Art

334

Theories of children’s understanding of pictures and the relation between picture, artist, viewer, and world

335

Children’s competence and their production of pictures

337

Children’s comprehension of pictures and its relationship to production

339

Children’s evaluation of aesthetic and expressive properties of pictures

341

Universal and cultural influences on children’s drawings

344

Concluding remarks

346

Subject Index

350